Quote:

Well, I'm a lonesome schoolboy
And I just came into town
Yeah, I'm a lonesome schoolboy
And I just came into town
Well, I heard so much about London
I decided to check it out

Well, I wait in Leicester Square
With a come-hither look in my eye
Yeah, I'm leaning on Nelsons Column
But all I do is talk to the lions

Oh where can I get my cock sucked?
Where can I get my ass fucked?
I may have no money,
But I know where to put it every time

Well, I asked a young policeman
If he'd only lock me up for the night
Well, I've had pigs in the farmyard,
Some of them, some of them, they're alright
Well, he fucked me with his truncheon
And his helmet was way too tight

Oh where can I get my cock sucked?
Where can I get my ass fucked?
I ain't got no money,
But I know where to put it every time

I'm a lonesome schoolboy in your town
I'm a lonesome schoolboy

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Needless to say, this winsome ditty had the desired effect, and the song was never released. Chess goes on to say some cat in New York was organizing a benefit for Oz Magazine, which was being hassled by the government in an obscenity trial, and the idea came up to do a porno album, with rock stars contributing "adult" material to raise dough for the underground magazine.

Quote:

Cocksucker Blues
From Wikipedia, the free encyclopedia


Cocksucker Blues is an unreleased documentary film directed by Robert Frank chronicling The Rolling Stones' North American tour in 1972 in support of their album Exile on Main Street.

There was much anticipation for the band's arrival, with them having not visited the United States since the 1969 disaster at Altamont Free Concert, in which a fan, Meredith Hunter, was stabbed and beaten to death by Hells Angels. The tour fulfilled its promise of tremendous rock and roll performances on stage. Behind the scenes, the tour embodied debauchery, lewdness and hedonism.

The film was shot cinéma vérité, with several cameras with plenty of film left lying around for anyone in the entourage to pick up and start shooting. This allowed the film's audience to witness backstage parties, drug use (Mick Jagger is seen snorting cocaine backstage), roadie antics, and the Stones with their defenses down.

"Cocksucker Blues" was also the title of a Rolling Stones song, recorded in 1970, that Mick Jagger wrote to be the Stones' final single for Decca Records as per their contract. Its context and language was chosen specifically to anger Decca executives. The track was refused by Decca, although promotional 12" singles of it were pressed in the US, and was only officially released later on a West German compilation in 1983, although the compilation was discontinued and since re-released without the song.[1]

The film itself is under a court order which forbids it from being shown unless the director is physically present. This ruling stems from the conflict that arose when the band, who had commissioned the film, decided that its content was inappropriate and didn't want it shown. The director felt otherwise and thus the ruling. However, bootleg copies of the film are available. It has somewhat of a popular aura surrounding it around fellow rockers, such as Marilyn Manson, who mentioned viewing it and seeing his living room in it (parts of it were filmed at the Mary Astor House, on Appian Way in Laurel Canyon where Manson has resided since late 1997).

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