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psychonaut Registered: 11/06/12 Posts: 19,563 Loc: PNW Last seen: 2 years, 5 months |
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Found it the other day and just uploaded it to youtube:
Jimi Hendrix - In The Beginning 01. A1 Stand By Me (04:00) 02. A2 Bright Lights Big City (03:10) 03. A3 Just A Little Bit (01:30) 04. A4 Satisfaction (04:35) 05. A5 Sugar Pie Honey Bunch (02:54) 06. A6 You Got What It Takes (04:24) 07. A7 Day Tripper (02:51) 08. A8 Land Of 1000 Daces (04:32) 09. B1 I'm A Man (04:56) 10. B2 Hold On To What You've Got (03:06) 11. B3 Twist And Shout (03:09) 12. B4 Mr Pitiful (03:06) 13. B5 What I'd Say (04:53) 14. B6 Wooly Bully (03:39) 15. B7 Walking The Dog (02:49) 16. B8 Hang On Sloopy (03:31) Details for this album are hard to find, there is a common 6 track version that is poorly reviewed but I couldn't find anything about this one except it's an 80's release. Worth checking out if you are a fan of his though as it has a lot of rare early tracks he played on.
-------------------- Don't worry about me, I've got all that I need. And I'm singing my song to the sky You know how it feels, With the breeze of the sun in your eyes. Not minding that time's passing by I've got all and more, My smile, just as before. Is all that I carry with me I talk to myself, I need nobody else. I'm lost and I'm mine, yes I'm free
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Registered: 10/30/14 Posts: 5,504 |
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Sweet man! Thanks for sharing. Gonna give this a listen.
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train driver pervading a desktop Registered: 08/20/04 Posts: 31,859 Loc: Uranus |
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Dude, what????? That track list!
-------------------- ![]()
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Adrift in the Abyss Registered: 11/02/16 Posts: 440 Loc: Nova Scotia Last seen: 6 years, 9 months |
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Sweet.
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Registered: 01/14/15 Posts: 3,570 |
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Lovely
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Happy Mushrooming Registered: 09/27/09 Posts: 18,757 Loc: Funkotron |
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-------------------- Live by the mushroom, die by the mushroom ![]() ![]() ![]() ![]() This is a trap! A trap! You are all busted! Busted! You fools! If a time comes where I fail to appear I've been abducted and I will miss you all Please smile and pet puppies as often as possible Be happy Be nice (<3);}
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Happy Mushrooming Registered: 09/27/09 Posts: 18,757 Loc: Funkotron |
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-------------------- Live by the mushroom, die by the mushroom ![]() ![]() ![]() ![]() This is a trap! A trap! You are all busted! Busted! You fools! If a time comes where I fail to appear I've been abducted and I will miss you all Please smile and pet puppies as often as possible Be happy Be nice (<3);}
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Happy Mushrooming Registered: 09/27/09 Posts: 18,757 Loc: Funkotron |
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I'm only on the 5th track, but I think this may be my favorite Hendrix I've ever heard
There's a groove goin' on unlike his other recordings, this is wonderful -------------------- Live by the mushroom, die by the mushroom ![]() ![]() ![]() ![]() This is a trap! A trap! You are all busted! Busted! You fools! If a time comes where I fail to appear I've been abducted and I will miss you all Please smile and pet puppies as often as possible Be happy Be nice (<3);}
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I’m Rick James, bitch! Registered: 08/15/16 Posts: 13,284 Loc: Hampsterdam |
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P100 IN THE BEGINNING
Recorded: 1965 A30 581 Released: 1980s 1.Stand by Me 3:58 2. I'm a Man (2) 4:52 Bright Lights, Big City (1) 3:10 Hold (on to) What You've Got (1) 3:04 Just a Little Bit (1) 1:27 Twist and Shout 3:08 (I Can't Get No) Satisfaction (2) 3:28+0:42 Mr. Pitiful (1) 3:06 Sugar Pie Honey Bunch (2) 2:41 What'd I Say (1) 4:47 You Got What It Takes (1) 4:21 Wooly Bully 3:31 Day Tripper (4) 2:49 Walkin' the Dog (1) 2:48 Land of a Thousand Dances 4:29 Hang on Sloopy (2) 3:20 Released by: Everest (Eng) CBR-1031; Premier Records CBR-1031 Recorded live in NY or NJ, late 1965 - early 1966 Note: "Just a Little Bit" is not listed by G. Note: G says that "You Got What It Takes" (2), rather than "You Got What It Takes" (1), is on this release. F. CURTIS KNIGHT AND THE SQUIRES These tracks were recorded at an unknown number of live venues and during two studio periods. 1. Live Recordings The first live recordings of Jimi with Curtis Knight's band appeared in 1970. It's possible that full details on these recordings will never surface. Adding to the lack of information is deliberate mis-information in the form of overdubs and studio tracks masquerading as live recordings. It's unknown how many of these "live" tracks are dressed-up studio recordings, but lacking evidence to the contrary they will be assumed to be live. Two songs that originally appeared with crowd noise, Killing Floor (3,4,22) and Last Night (1,2), later showed up on official releases without any crowd sound at all. These appear on tape together without crowd noise or other overdubs, and with identical high-quality (relatively) stereo sound. It seems likely that they are studio recordings, perhaps done as a rehearsal to a live date. Or even after the live date: it's possible that a live album was being contemplated and the quality of the live recordings forced a change in plans. It's equally clear, however, that they are not studio recordings of the same quality as the many other studio recordings with Curtis Knight from 1965. At any rate, these two songs are grouped with the studio recordings, although identified as probable rehearsal takes. Many of the live recordings have been associated for some time with a 26 December 1965 date at George's Club 20 in Hackensack, NJ, due both to liner notes and to information in the recordings themselves. Two tracks circulate in which Knight mentions George's Club 20 in his spoken intro: Killing Floor (3,4,22) and You Got What It Takes (1,2). The first of these is one of the previously mentioned studio tracks, so that can be discounted. Unfortunately that is also the only track that gives the 26 Dec date, so we're back to square one with dating these recordings. The other does not mention a date. So all in all evidence for that venues and dates is slim. There's very little remaining evidence to date these tracks, to decide how many different venues are represented, or even to determine running order. Several groups of tracks can be connected but most can't, leaving us to go by things like stereo vs. mono, or the presence of brass on some tracks. Most likely all of these recordings are from the New York / New Jersey area in late 1965 or early 1966. Personnel includes Curtis Knight (rhythm g, lead vocals, harmony vocals, tambourine), Henry Henderson (bass), Marion Booker (drums), Ditto (organ, piano), and Lonnie Youngblood (sax, vocals) Most of the first tracks to appear in 1970 sported studio overdubs, but later mixes often featured the original track relatively untouched. Unfortunately these overdubbed versions have continued to circulate and still appear on current releases. We can identify 17 songs that exist or were originally recorded in stereo. Some of these stereo mixes were not released officially but only circulate on tape. One song (Sweet Little Angel) only circulates in mono or simulated stereo, but can be connected to Driving South, which does exist in stereo. So presumably Sweet Little Angel was also recorded in stereo. The true stereo tracks all seem to have vocals clearly to one side. The recorded repertoire consists almost completely of cover versions. Live Stereo Recordings Band Outro / Outro Theme Come On (Pt. 1) Driving South Mercy, Mercy I'm a Man (take 1) Just a Little Bit Killing Floor (with horns) Land of a Thousand Dances (perhaps fake stereo) Money (take 1) Mr. Pitiful (with horns and Youngblood vocals) (I Can't Get No) Satisfaction Shotgun Something You Got (stereo circulates for start only) Sweet Little Angel (stereo not circulating) There Is Something on Your Mind (with horns) Walkin' the Dog (with horns) You Got Me Running The remaining 24 tracks appear to have been originally recorded in mono, or are not available in stereo. Many of these appear with simulated stereo treatments, some of which are weak but others of which are strong and give quite a bit of headroom. These can often be mistaken for true stereo recordings. The stereo simulation was accomplished in various ways, but generally either by added reverb/echo to one channel or by differential EQ applied to the two channels. Some of these songs also appeared in mixes with studio overdubs, which were mixed in stereo on top of a mono-mixed original track. Live Mono Recordings Ain't That Peculiar Bleeding Heart Bo Diddley Bright Lights, Big City California Night (take 1) California Night (take 2) Day Tripper Get out of My Life, Woman I Got You (take 1) (with horns and Youngblood vocals) I Got You (take 2) (with horns and Youngblood vocals) Hang on Sloopy Hold (on to) What You've Got I'll Be Doggone (take 1) I'll Be Doggone (take 2) I'm a Man (take 2) Let's Go, Let's Go, Let's Go Money (take 2) One Night with You Stand by Me Sugar Pie, Honey Bunch Twist and Shout What'd I Say Wooly Bully You Got What It Takes 2. Studio Recordings The first LP with these recordings appeared in December 1967. Over the years countless releases have appeared with these tracks, and the bewildering assortment of mixes and edits is almost as countless. In contrast to the live recordings, all of these studio recordings are Curtis Knight originals, and all vocals are by Knight. Personnel includes Curtis Knight (rhythm guitar, vocals), Marvin Held? (bass), Marion Booker? (drums), Ray Lucas (drums on some 7/67 material), ? (or, pi), Dick Glass, Jerry Simon, and unknown (mandolin) The original Pre-Experience studio recordings with Curtis Knight took place in late 1965 to perhaps mid-1966 in Studio 76 (aka Dimensional Studios) in New York. Although more information on these sessions exists than for the live recordings, many details are still lacking. G says that all of these songs were recorded from October - December 1965 (two sessions over two days), but contracts for some of these sides date to June 1966. Although undoubtedly some of these tracks are from late 1965, others may be from later. On these tracks, Jimi plays guitar. The different tracks are listed here. The first two songs are the (likely) rehearsal takes for one of the live shows and were originally presented as live recordings. The next 4 songs are demos that only came to light in 1996. Finally, there are the 13 songs that form the bulk of this material. U.F.O. was assumed for a long while to be from the 1967 sessions, since it's not Jimi on guitar and he was only known to have appeared on bass in the 1967 recordings. However, the emergence of the demo take of U.F.O., originating from 1965, suggests that both takes are from these earlier Pre-Experience sessions. 1965-1966 Studio Recordings Killing Floor (rehearsal) Last Night (rehearsal) Better Times Ahead (demo) (Curtis Knight? on guitar) Everybody Knew but Me (demo) If You Gonna Make a Fool of Somebody (demo) (possibly no Jimi?) U.F.O. (demo) Don't Accuse Me Fool for You Baby Gotta Have a New Dress Hornet's Nest How Would You Feel Knock Yourself Out No Such Animal Simon Says Station Break Strange Things Welcome Home You Don't Want Me U.F.O. After the formation of the Experience, further recordings took place in New York in July-August 1967. Likely two sessions took place during this period. On these tracks Jimi plays either guitar or bass, and it's thought that the tracks with Jimi on guitar were one session while those with Jimi on bass are from the other. The currently accepted dates for these sessions are 7/17/67 for the tracks with Jimi on fuzz bass, and 8/8/67 for the guitar tracks. There are 6 tracks with Jimi on guitar that were released officially, plus two rehearsal takes of Gloomy Monday that have only appeared on bootlegs. In addition there is one other take of "Ballad of Jimi" with only acoustic guitar, that appears on an obscure French release, with the track subtitled "1966 version". A recording of "Ballad of Jimmy" was listed in the legal documents for the 1965-1966 recordings, but it was always assumed to be a mistake. Whether it's Jimi on guitar and whether this take is really from 1966 is uncertain, so it's listed here with the 1967 recordings until more information surfaces. 1967 Studio Recordings - Jimi on guitar Ballad of Jimi (early take) Ballad of Jimi Gloomy Monday (incomplete 1st rehearsal take) Gloomy Monday (2nd rehearsal take) Gloomy Monday Hush Now Hush Now (incomplete alternate take) Love Love Happy Birthday (alternate version of Love Love with different vocals) The remaining 4 tracks feature Jimi on fuzz bass. The first long jam listed here was chopped up and was usually presented as three separately titled songs with added vocals: Day Tripper, Future Trip, and Flashing. 1967 Studio Recordings - Jimi on fuzz bass Day Tripper / Future Trip / Flashing Get That Feeling No Business Odd Ball The following is a listing of all mixes and edits of the live and studio tracks. In some cases it is difficult to determine unique mixes since different pressings often have somewhat different sounds. (i) denotes instrumental. 1. live, late 1965 - early 1966, stereo recordings; Jimi played (g) and performed vocals (lv or hv) as indicated [L1449] Band Outro (Outro Theme) (1) (fake stereo) 0:53 Band Outro (Outro Theme) ( ) (stereo) 0:53 [L392] Come On (Pt. 1) (5) / Let the Good Times Roll (faint vo) (stereo, added crowd noise) 4:20 [L392] Come On (Pt. 1) (17) / Let the Good Times Roll (faint vo) (fake stereo) 4:14 [L392] Come On (Pt. 1) (6) / Let the Good Times Roll (faint vo) (mono) 4:21 Driving South (16) (stereo) 5:34 [L406] Driving South (9) (mono or weak fake stereo) 5:36 [L1447] Driving South (13) (fake stereo) 5:34 [L406] Driving South (15) (mono with stereo o/d) 5:32 [L406],[L229] Driving South (8) (mono with stereo o/d, doctored) 7:02 Mercy, Mercy / Have Mercy (3) (hv) (stereo) 3:29 [L434] Mercy, Mercy / Have Mercy (1) (hv) (fake stereo) 3:28 [L407],[L230] I'm a Man (2) (lv) (stereo, with several bursts of added echo) 4:54 [L407] I'm a Man (3) (lv) (fake stereo, with less prominent bursts of added echo) 4:53 Just a Little Bit (2) (stereo) 1:27 [L436] Just a Little Bit (1) (fake stereo, added echo) 1:27 [L439] Killing Floor (2) (lv) (stereo) 3:31 [L439] Killing Floor (21) (lv) (narrower? stereo) 3:31 [L418] Land of a Thousand Dances (lv) (stereo or possibly fake stereo; with echo and possible o/d) 4:34 [L420] Money (1) (stereo) 3:36 [L420] Money ( ) (fake stereo) 3:36 [L420] Money ( ) (stereo, edited in middle) 3:14 [L420] Money (2) (stereo, with added crowd noise) 3:35 [L445] Mr. Pitiful (1) (stereo) 3:06 [L445] Mr. Pitiful (2) (fake stereo) 3:06 (I Can't Get No) Satisfaction (1) (stereo, complete) 4:27 [L1453] (I Can't Get No) Satisfaction (4) (mono with stereo o/d, complete) 4:32 [L416] (I Can't Get No) Satisfaction (2) (mono with stereo o/d, o/ds diff. placed, edited) 4:11 Shotgun ( ) (stereo) 4:14 [L1448] Shotgun (2) (fake stereo) 4:17 Something You Got (2) (lv) (stereo, start only) 0:16 [L435] Something You Got (1) (lv) (fake stereo) 2:53 [L423] Sweet Little Angel (5) (fake stereo) 4:31 [L423] Sweet Little Angel (1) (fake stereo, added crowd noise, added echo on spoken intro) 4:31 [L423] Sweet Little Angel (4) (fake stereo, added echo, end cut) 4:24 [L427] Sweet Little Angel (2) (fake stereo, added echo, mastered too fast) 3:39 Sweet Little Angel (3) (i) (fake stereo, doctored) 2:05 [L431] Sweet Little Angel (3) (i) (fake stereo, doctored, mastered too fast) 1:42 [L425] There Is Something on Your Mind ( ) (mono) 5:32 [L425] There Is Something on Your Mind (1) (mono, added crowd noise) 5:32 [L425] There Is Something on Your Mind (2) (stereo) 5:28 [L424] Walkin' the Dog (1) (lv) (wide stereo, with added echo) 2:48 [L424] Walkin' the Dog (1) (lv) (narrow stereo, with added echo) 2:49 [L429] Walkin' the Dog (1) (lv) (narrow stereo, added echo, mastered extremely fast) 2:18 [L424] Walkin' the Dog (2) (lv) (narrow stereo, added echo and crowd noise) 2:50 [L419] You Got Me Running (1) / Baby What You Want Me to Do (hv) (stereo) 3:49 [L419] You Got Me Running (2) / Baby What You Want Me to Do (hv) (fake stereo, added echo) 3:44 [L419] You Got Me Running (3) / Baby What You Want Me to Do (hv) (stereo, added crowd noise) 3:46 [L419] You Got Me Running (5) / Baby What You Want Me to Do (hv) (fake stereo) 3:44 [L440] You Got Me Running (4) / Baby What You Want Me to Do (i) (stereo or fake stereo, doctored) 2:38 2. live, late 1965 - early 1966, mono recordings; Jimi played (g) and performed vocals (lv or hv) as indicated Ain't That Peculiar? (1) (hv) (fake stereo, at correct speed, complete) 4:36 [L410] Ain't That Peculiar? (2) (hv) (mono with stereo o/d, mastered slow, end cut) 3:11 [L410] Ain't That Peculiar? (3) (hv) (mono with stereo o/d, g and b o/d central, mastered slow, end cut) 3:10 [L433] Bleeding Heart (7) (lv) (mono or mild fake stereo) 2:26 [L442] Bleeding Heart (8) (i) (mono or fake stereo; doctored) 1:56 [L405] Bo Diddley (1,2) (lv) (fake stereo) 3:04 [L412] Bright Lights, Big City (1) (vo) (mono with stereo o/d, (g) o/d left, end cut) 3:12 [L412] Bright Lights, Big City (4) (vo) (mono with stereo o/d, (g) o/d central, end cut) 3:08 Bright Lights, Big City (2) (vo) (mono with stereo o/d, o/ds placed differently, complete) 3:22 [L430] Bright Lights, Big City (2) (vo) (mono with stereo o/d, o/ds placed differently, complete, runs fast) 2:43 [L447] California Night (1) (lv) (fake stereo, with strong added echo) 3:43 [L447] California Night (6) (lv) (fake stereo, with weaker added echo) 3:47 California Night (3) (lv) (original mono, doctored) 5:11 [L409] California Night (2) (lv) (mono with stereo o/d, doctored) 5:09 [L409] California Night (5) (lv) (mono with stereo o/d, o/ds placed differently, doctored) 5:04 [L448] California Night (4) (vo) (fake stereo, alternate take) 4:21 [L444] Day Tripper (4) (lv) (fake stereo) 2:49 Get out of My Life, Woman (1) (vo) ( mono, complete) 3:41 [L414] Get out of My Life, Woman (2) (vo) (mono with stereo o/d, end cut) 3:37 [L414] Get out of My Life, Woman ( ) (vo) (mono with stereo o/d, g and b o/d central) 3:37 [L403] Hang on Sloopy (1) (lv, 2nd half) (fake stereo) 3:24 [L403] Hang on Sloopy (2) (lv, 2nd half) (fake stereo, with added echo, longer spoken intro) 3:20 Hang on Sloopy (3) (lv, 2nd half) (fake stereo, end cut) 3:04 [L438] Hold (on to) What You've Got (1) (fake stereo, with added echo) 3:05 Hold (on to) What You've Got (2) (fake stereo, no echo) 3:03 [L1450] I Got You (I Feel Good) (1) (hv) (fake stereo with added echo) 2:59 I Got You (I Feel Good) (2) (mono, end cut) 0:52 [L415] I'll Be Doggone (3) (hv) (mono with stereo o/d, end cut) 2:31 [L415] I'll Be Doggone (2) (hv) (mono with stereo o/d, doctored) 3:34 [L415] I'll Be Doggone (1) (hv) (alternate take; fake stereo) 3:45 [L452] I'm a Man (1,4) (lv) (fake stereo) 3:35 [L421] Let's Go, Let's Go, Let's Go (3) (fake stereo) 3:47 [L421] Let's Go, Let's Go, Let's Go (1) (fake stereo, added crowd noise) 3:49 [L426] Let's Go, Let's Go, Let's Go (2) (i) (fake stereo, doctored) 3:21 [L1452] Money (3) (hv) (fake stereo, added echo) 3:42 One Night with You (1) (mono) 3:11 One Night with You (2) (fake stereo) 3:05 [L437] Stand by Me (fake stereo, with possible bass o/d) 3:59 Sugar Pie Honey Bunch (I Can't Help Myself) (1) (fake stereo, complete) 2:58 [L443] Sugar Pie Honey Bunch (I Can't Help Myself) (2) (mono with stereo o/d, end cut) 2:41 [L417] Sugar Pie Honey Bunch (I Can't Help Myself) (2) (mono with stereo o/d, added echo??, end cut) 2:41 Sugar Pie Honey Bunch (I Can't Help Myself) ( ) (mono w/ stereo o/d, g and b o/d central, end cut) 2:39 [L404] Twist and Shout (hv) (fake stereo) 3:08 [L441] What'd I Say (1) (lv) (fake stereo, complete) 4:47 [L411] What'd I Say (2) (lv) (mono with stereo o/d, end cut) 3:54 [L432] Wooly Bully (hv) (mono or weak fake stereo) 3:31 [L451] You Got What It Takes (1) (hv) (fake stereo, possible o/d, no intro) 4:22 [L428] You Got What It Takes (1) (hv) (mono, possible o/d, added intro echo, mastered too fast) 3:34 [L422] You Got What It Takes (2) (hv) (fake stereo, possible o/d, end cut, added intro echo & crowd noise) 3:52 3. studio, late 1965 - mid 1966; Jimi (g) on all tracks [L408] Killing Floor (3) (vo) (stereo, longer spoken intro) 3:13 [L408] Killing Floor (4) (vo) (mono with stereo o/d, (b) o/d to the left) 3:08 [L408] Killing Floor (22) (vo) (mono with stereo o/d, (b) o/d centered) 3:06 [S450] Last Night (1) (i) (complete, no (g) overdubs, different drums) 2:23 [S413] Last Night (2) (i) (edited to run longer, with o/d and added crowd noises) 3:05 [S1444] Better Times Ahead (demo; Curtis Knight? (g)) 2:33 [S1445] Everybody Knew but Me (demo) 1:32 If You Gonna Make a Fool of Somebody (demo; possibly no Jimi?) 2:43 [S1442] U.F.O. (3) (demo) 2:54 [S367] Don't Accuse Me (1) (stereo, edited, with backing vocals) 4:00, 3:59, 4:02 [S367] Don't Accuse Me (3) (mono, edited, with backing vocals) 3:58 [S402] Don't Accuse Me (2) (stereo, complete, no backing vocals) 3:56, 3:59, 3:57, 3:56 Don't Accuse Me (4) (stereo, complete, with backing vocals) 3:54 [S373] Fool for You Baby (1) (stereo, complete) 1:47 [S373] Fool for You Baby (3) (mono, complete) [S1439] Fool for You Baby (2) (same as (1), but edited to run longer) 2:49 Fool for You Baby (4) (stereo, alternate mix, runs longer) 2:14 [S365] Gotta Have a New Dress (1) (with vocals to one side) 3:03 [S365] Gotta Have a New Dress (2) (same as version (1), but sl. incomplete, vocals central) 2:55, 2:59 [S365] Gotta Have a New Dress (4) (same as version (1), but mono) 3:03 [S1435] Gotta Have a New Dress (3) (same as version (2), but edited to run longer) 3:11 Gotta Have a New Dress (5) (stereo, alternate mix, runs longer) 3:07 [S357] Hornet's Nest (1) (i) (mono, incomplete) 2:26 [S366] Hornet's Nest (1) (i) (mono, complete) 3:42 [S366] Hornet's Nest (2) (i) (stereo, complete) 3:40 [S366] Hornet's Nest (4) (i) (same as version (2), but with (b) and (or) central) 3:39 [S396] Hornet's Nest (3) (i) (stereo, complete, no organ, slightly different mix) 3:39 Hornet's Nest (5) (i) (stereo, alternate take) 5:08 [S355] How Would You Feel (1) (mono, incomplete) 2:45 [S1433] How Would You Feel (2) (stereo, more complete) 3:11 [S1433] How Would You Feel (3) (mono, more complete) 3:10 How Would You Feel (5) (stereo, complete, alternate mix) 3:49 [S1428] How Would You Feel (4) (completely new take with Jimi's guitar added) 4:28 [S358] Knock Yourself Out (1) (i) (mono, incomplete) 2:26 [S370] Knock Yourself Out (1) (i) (mono, more complete) 5:59 [S370] Knock Yourself Out (2) (i) (stereo, more complete, (b) & (d) to one side) 6:00 [S370] Knock Yourself Out (3) (i) (stereo, more complete, (b) & (d) central) 6:02, 5:58, 5:58 Knock Yourself Out (4) (i) (stereo, alternate mix, runs longer) 6:49 [S399] No Such Animal Part 1 (mono) 2:35 [S400] No Such Animal Part 2 (mono) 2:44 No Such Animal (mono, complete) 4:49 [S380] Simon Says (1) (stereo, no horns) 3:12 [S380] Simon Says (4) (stereo, no horns, but with drums louder, central) 3:12 [S380] Simon Says (5) (mono, no horns) 3:14 [S381] Simon Says (2) (mono, with horns) 3:16 [S381] Simon Says (3) (stereo, with horns) 3:14 Simon Says (6) (stereo, no horns, alternate mix, runs longer) 3:30 [S385] Strange Things (1) (stereo, vocals to one side) 2:57 [S385] Strange Things (4) (mono) 2:57 [S453] Strange Things (2) (stereo, no organ, almost no vocals) 3:09 [S1436] Strange Things (3) (stereo, doctored, vocals central) 3:20 Strange Things (5) (stereo, alternate mix with (vo) central) 2:55 [S383] U.F.O. (2) (Hagstrom b) (stereo, incomplete, with added vocals) 2:19, 2:21, 2:18 [S446] U.F.O. (1) (Hagstrom b) (mono, complete) 2:47 [S356] Welcome Home (5) (mono, incomplete) 2:43 [S379] Welcome Home (6) (mono, complete) 3:34 [S356] Welcome Home (1) (very slightly incomplete, vocals central) 3:31 [S379] Welcome Home (2) (complete, vocals to one side) 3:33, 3:28, 3:32 [S379] Welcome Home (3) (complete, vocals to one side, with heavy echo added) 3:27 Welcome Home (7) (stereo, alternate mix, runs longer) 3:42 [S1431] Welcome Home (4) (completely different version, with Jimi's (g) track added) 3:23 [S359] You Don't Want Me (1) (mono) 2:13 [S359] You Don't Want Me (2) (stereo) 2:21 [S1443] You Don't Want Me (3) (i) (stereo instrumental mix) 2:59 Note: G says that "U.F.O." is from the 1967 sessions 4. studio, 7/67 & 8/67; Jimi played (g) or (fuzz b) as noted Ballad of Jimi ( ) (stereo, early take, original vocal, with piano; Jimi on guitar?) 2:19 [S362] Ballad of Jimi (2) (stereo, original vocal) 2:20, 2:22 [S362] Ballad of Jimi (8) (mono, original vocal) 2:23 [S401] Ballad of Jimi (3) (stereo, new (2nd) vocal, no drums) 2:21 [S401] Ballad of Jimi (4) (mono, new (2nd) vocal) 2:27 [S1446] Ballad of Jimi (7) (stereo, new (2nd) vocal) 2:25 [S398] Ballad of Jimi (5) (stereo, with (3rd) vocal take plus earlier vocal) 2:30 [S398] Ballad of Jimi (9) (stereo, with (3rd) vocal take plus earlier vocal, alt mix with vocals to side) 2:29 [S389] Ballad of Jimi (1) (i) (stereo, instrumental) 2:28 [S389] Ballad of Jimi (6) (i) (stereo, instrumental, alternate mix) 2:27 [S374] Day Tripper (2) (fuzz b) (stereo, with vocals, with (b) to the side) 2:43 [S374] Day Tripper (6) (fuzz b) (stereo, with vocals, with (b) central) 2:43 [S374] Day Tripper (7) (fuzz b) (mono, with vocals) 2:44 [S387] Day Tripper (1) (i) (fuzz b) (complete Day Tripper / Future Trip / Flashing medley) 8:16 [S1437] Day Tripper (5) (fuzz b) (nearly mono, doctored) 3:16 [S361] Flashing (1) (fuzz b) (mono, incomplete) 2:34 [S369] Flashing (2) (fuzz b) (stereo, incomplete) 2:34 [S369] Flashing (5) (fuzz b) (mono, more complete) 3:09 [S369] Flashing (3) (fuzz b) (stereo, more complete) 3:12, 3:07 [S1440] Flashing (4) (fuzz b) (stereo, doctored) 3:43 [S364] Future Trip (2) (fuzz b) (mono) 2:31 [S364] Future Trip (1) (fuzz b) (stereo) 2:30, 2:28 [S377] Get That Feeling (2) (fuzz b) (stereo, nearly complete, with vocals) 10:06, 10:04 [S377] Get That Feeling (3) (fuzz b) (stereo, nearly complete, with vocals central) 10:01, 10:04 [S377] Get That Feeling (6) (fuzz b) (mono, nearly complete, with vocals, fuzz bass high) 10:01 [S377] Get That Feeling (5) (fuzz b) (mono, nearly complete, with vocals, fuzz bass low) 10:06 [S1432] Get That Feeling (4) (fuzz b) (nearly mono, incomplete, with vocals) 5:17 [S393] Get That Feeling (1) (i) (fuzz b) (incomplete, no vocals, slightly different mix) 9:08 [S449] Get That Feeling (1) (i) (fuzz b) (same version (1)) 9:08 [S683] Gloomy Monday (5) (mono, 1st take) 1:05 [S684] Gloomy Monday (6) (mono, 2nd take) 2:33 [S372] Gloomy Monday (1) (mono, incomplete) 2:13 [S372] Gloomy Monday (2) (stereo, incomplete) 2:12 [S372] Gloomy Monday (9) (mono, incomplete, louder (d)) 2:13 [S372] Gloomy Monday (3) (stereo, incomplete, louder (d)) 2:12 Gloomy Monday (8) (stereo, edited) 1:52 [S1438] Gloomy Monday (7) (stereo, doctored) 3:31 [S397] Gloomy Monday (4) (mono, complete, different guitar, different vocal take) 3:06 [S394] Happy Birthday (3) (stereo, unedited, alternate mix, vocals mixed down) 1:23 [S371] Happy Birthday (6) (mono, edit #1) 1:59 [S371] Happy Birthday (1) (stereo, edit #1) 2:00, 1:58 [S371] Happy Birthday (2) (stereo, with (b) to one side, edit #1) 1:59 Happy Birthday (7) (stereo, edit #2) 2:27 [S371] Happy Birthday (5) (stereo, edit #3) 2:10 [S1441] Happy Birthday (4) (stereo, edit #4) 2:19 [S360] Hush Now (6) (mono, incomplete, with vocals) 4:17 [S368] Hush Now (10) (mono, incomplete, with vocals) 3:47 [S368] Hush Now (8) (stereo, incomplete, with vocals) 3:48, 3:47, 3:50 [S368] Hush Now (6) (mono, nearly complete, with vocals) 6:29 [S368] Hush Now (11) (mono, complete, with vocals) 6:47 [S368] Hush Now (7) (stereo, complete, with vocals) 6:46 [S384] Hush Now (3) (i) (incomplete, no vocals) 4:19, 4:24, 4:22 Hush Now (13) (i) (more complete,no vocals) 5:40 [S390] Hush Now (4) (i) (even more complete,no vocals) 6:38, 6:35, 6:38 [S390] Hush Now (5) (i) (complete, no vocals, faster echo on (g)) 6:51, 6:49 [S454] Hush Now (1) (i) (alternate take, complete) 1:19 [S378] Hush Now (2) (i) (alternate take, doctored) 2:35, 2:51, 2:50 [S378] Hush Now (9) (i) (alternate take, doctored, slightly different mix) 2:49 [S1429] Hush Now (12) (i) (completely different version, but with Jimi's (g) track added) 5:55 [S376] Love Love (9) (mono, complete, with vocals, with reverb) [S376] Love Love (4) (stereo, complete, with vocals, with reverb) 8:36 [S376] Love Love (5) (stereo, complete, with vocals, no reverb) 8:33 Love Love (13) (stereo, complete, with vocals, no reverb, instruments & vocals split, no fade) 8:41 [S395] Love Love (11) (mono, incomplete, some (vo) mixed down) 5:17 [S395] Love Love (6) (stereo, incomplete, some (vo) mixed down) 5:12 [S395] Love Love (10) (stereo, incomplete, some (vo) mixed down, with heavier reverb) 5:12 [S395] Love Love (7) (stereo, incomplete, some (vo) mixed down, with all instruments central) 5:12 [S382] Love Love (2) (i) (stereo, slightly incomplete, no vocals, different mix) 8:26, 8:30 [S391] Love Love (8) (i) (stereo, slightly incomplete, no vocals, different mix, instruments central) 8:27 [S391] Love Love (3) (i) (mono, complete, no vocals) 8:39 [S391] Love Love (1) (i) (stereo, complete, no vocals) 8:42, 8:38 [S1430] Love Love (12) (i) (completely different version, but with Jimi's (g) track added) 8:59 [S363] No Business (1) (fuzz b) (mono, incomplete, with vocals) 2:26, 2:28 [S363] No Business (4) (fuzz b) (stereo, incomplete, with vocals, b&d to the side) 2:25 [S363] No Business (5) (fuzz b) (stereo, incomplete, with vocals, b&d central) 2:28, 2:30, 2:31 [S1434] No Business (3) (fuzz b) (stereo, with vocals, doctored, different mix) 3:15 [S388] No Business (2) (i) (fuzz b) (stereo, complete, instrumental) 2:50 [S375] Odd Ball (4) (i) (fuzz b) (mono, incomplete) 3:10 [S375] Odd Ball (1) (i) (fuzz b) (stereo, incomplete) 3:10, 3:09, 3:12, 3:11 [S375] Odd Ball (2) (i) (stereo, less complete, with added reverb) 3:02 [S1451] Odd Ball (3) (i) (stereo, complete, different mix) 4:46 Note: G says that "U.F.O." is from the 1967 sessions -------------------- ![]()
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psychonaut Registered: 11/06/12 Posts: 19,563 Loc: PNW Last seen: 2 years, 5 months |
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Quote: I was actually thinking of PMing you because I thought the sugar pie honey bunch was Sugar Died Honey Pants at first and was very excited to hear a cover of it with Jimi... Then I looked closer
-------------------- Don't worry about me, I've got all that I need. And I'm singing my song to the sky You know how it feels, With the breeze of the sun in your eyes. Not minding that time's passing by I've got all and more, My smile, just as before. Is all that I carry with me I talk to myself, I need nobody else. I'm lost and I'm mine, yes I'm free
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I’m Rick James, bitch! Registered: 08/15/16 Posts: 13,284 Loc: Hampsterdam |
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Jimi's first tv appearance with Buddy & Stacey with The Upsetters on 'NIGHT TRAIN' TV program in 1965.
-------------------- ![]()
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Anti social anarchist Registered: 01/02/17 Posts: 17 Last seen: 6 years, 10 months |
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Nice one man
-------------------- Fly tripper
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Registered: 11/29/07 Posts: 18,606 |
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hawesome!
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