Home | Community | Message Board


This site includes paid links. Please support our sponsors.


Welcome to the Shroomery Message Board! You are experiencing a small sample of what the site has to offer. Please login or register to post messages and view our exclusive members-only content. You'll gain access to additional forums, file attachments, board customizations, encrypted private messages, and much more!

Shop: Unfolding Nature Unfolding Nature: Being in the Implicate Order   North Spore North Spore Mushroom Grow Kits & Cultivation Supplies   Kraken Kratom Red Vein Kratom   PhytoExtractum Buy Bali Kratom Powder

Jump to first unread post Pages: < Back | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | Next > | Last >
InvisibleMiddlemanM

Registered: 07/11/99
Posts: 8,399
Re: Avant-Garde Metal [Re: Sheepish]
    #7595432 - 11/04/07 05:16 PM (16 years, 2 months ago)

:bouncysmoke:


Extras: Filter Print Post Top
Offlinefalkor187
Stranger
 User Gallery


Registered: 05/15/07
Posts: 271
Last seen: 15 years, 9 months
Re: Avant-Garde Metal [Re: Middleman]
    #7597517 - 11/05/07 06:58 AM (16 years, 2 months ago)

ISOR is some of the best metalcore ive heard in a long time, and im not a big fan of the metalcore scene, dilinger is ok..other than that im not really a keen to this style, but for some reason Post Mortem Peep Show is a pleasant listen..even with all the screaming and crunching guitars..
im zipping files now, look for later tonite for some more albums up...


Extras: Filter Print Post Top
OfflineSheepish
 User Gallery


Registered: 04/02/02
Posts: 10,137
Loc: Exile
Last seen: 5 years, 9 months
Re: Avant-Garde Metal [Re: falkor187]
    #7597862 - 11/05/07 09:59 AM (16 years, 2 months ago)

Yeah, ISOR is what metalcore SHOULD be like. None of that cheesy 80s soloing rip offs that just sound bland.

http://www.sendspace.com/file/lnwgzw
Green Carnation - 2005 - The Quiet Offspring
The Quiet Offspring is the fourth full-length studio album by the Norwegian progressive metal band Green Carnation, released on February 22, 2005. In this recording, the band breaks away from their previous offerings. Although critically acclaimed and well accepted by fans, The Quiet Offspring has a more traditional rock sound and leaves behind the atmospheric feel of Light of Day, Day of Darkness. Some listeners have criticized this transition, while others claim it would have been inconceivable to repeat the feat of the sixty-minute album.


http://www.sendspace.com/file/h5a2bz
Genghis Tron - 2006 - Dead Mountain Mouth
This is the sound of when grindcore meets dance/electronic music.

"The Folding Road" starts off with some maniacal blasting with some brief touches of Nintendo style 8 bit ambience, then jumps straight into some industrial metal style polyrhythms and beats. As always the synth bass hovers around in the background. We then get a brief space of synth and ambience which develops into a slow breakdown.

My first thoughts are Genghis Tron have made a very obvious attempt to better meld elements of all the genres they play with. Instead of fairly disjointed passages jumping around everywhere, we have glimpses of electronics and ambience within riffing and blast beats. The songs themselves are more mature in their development, instead of being thrown together in a fairly adhoc fashion.

"Chapels" kicks in with a very extreme death/grind passage only to fall away into some electronic atmospherics, which builds up into a killer mid-paced break down. Synth keyboards match the guitar riffs as the distortion fades out signaling the end of the song. "From the Aisle" begins with an unhurried clean guitar riff and whispered lyrics while noise swirls around in the background. At around two minutes in this progresses to another slow hammering distorted passage which eventually dissipates into electronic noise.

The title track "Dead Mountain Mouth" thrashes through a series of math like licks and passages, spotted occasionally with blast beats or electronic ambience and some clean lyrics before bursting into a melodic crescendo of harmonizing guitars and synth. For the first part "White Walls" is a total shitfight of break beats, peculiar choruses, and melodic chords before turning a nice progressive breakdown into double bass induced madness. Everything soon dissipates into some electronic clap beats with some nice complementary clean guitarwork. "Badlands" takes the lead from white walls with some more electronic beats and ambience in a short interlude type track.

"Greek Beds" kicks and screams for a while before settle into a catchy little mid tempo guitar riff. Breaking down into a slower off-beat type passage, the song slowly progresses towards the end with some synth accompaniment to the guitar, underscored with a barrage of double bass. "Asleep on the Forest Floor" begins slowly and calmly, before settling into an effortless guitar riff, which rolls along slowly with much electronic ambient interference before becoming engulfed in wall of static. "Warm Woods" similarly is predominately a electronic track, with guitars coming and going continuously playing a similar riff as electronics jump around sporadically and progress into another crescendo.

Definitely a big change from the first album, not the concept, but the execution. Instead of being fairly ad-hoc and start/stop, these electronic elements are much more blended with the entire progression and structure of the song. The album is extremely more complicated, but in saying that, it is also less identifiably broad in terms of genre-hopping -as everything is far more cohesive. Most of the intense spastic shit is crammed into the first four tracks - so some of the latter tracks were a bit of a letdown as I waited patiently to have my head blown off again.

That being said this is still a brilliant album, but it is so eclectic, so diverse and so eccentric, it' going to take me a long time to rationalize what I have heard. The main genres played with seem to be grind, death, hardcore, mathcore and of course a large suit of electronics. If you were intrigued by the debut EP, you will enjoy this. If you have more Agoraphobic Nosebleed or Fuck I'm Dead leanings, this will suit you too.

http://www.sendspace.com/file/21jupx
Fantômas - 2004 - Delìrium Còrdia
This is the Fantomas album with 1 track spread out over an hour. It's technically a bunch of tracks blended into one track and is very experimental. Quite different from anything Fantomas have done before.

Delirium Cordia, Fantômas’ third collaborative effort between Mike Patton (Faith No More), Buzz Osbourne (Melvins), Trevor Dunn (Mr. Bungle), and Dave Lombardo (Slayer) is a nightmarishly haunting experience that, like their previous work, has been executed with surgical precision. The ride you are about to take is one that will lull you into a complacent state of consciousness, while it intermittently yanks you from your content psyche to rattle your emotions. Over the course of this lengthy one-song album, you’ll find it shifts moods very frequently leaving you to never be quite sure of when it’s okay to fall asleep. As with previous works by Fantômas, their visually creative music, attention to detail, and elaborate CD packaging is what makes them an artistic force to reckon with.

There are at least a hundred different words one could use to describe the multitude of decadent layers in this dark and fantastic album. In essence, it’s an improvisational nightmare that leaves you feeling extremely uncomfortable for an entire hour, while concurrently having you wish you could lie down to listen. It sometimes reiterates some of the clowned-out, demonic tones of Patton’s work with his first band, Mr. Bungle; however, we never get to hear him sing. Infrequently, he will utilize his voice as an instrument to make noises that do not typically come out of a human. The most accurate words to describe Delirium Cordia, however, would be an uneasy listening experience with touches of ambient landscapes. If you’ve ever watched a horror flick, which I’m sure you have, this album will create many images in your head. I believe I even heard a spot from Hitchcock’s Psycho. Some of the other images I get from the album are of old gothic churches and old houses with windows slamming open and shut due to high winds. Mostly, these are images of places I’d rather not be.

With this album being the volatile experience it is, you may find yourself becoming worn out by the time you reach the halfway point. Don’t think I wasn’t one of them the first time I heard it. It’s somewhere between background music and something that needs to be studied. Everything about it is a dichotomy. For sure, it’s an album that should be enjoyed with headphones to catch all the quiet little sounds that lurk deep in the background. Dunn, Osbourne, and Lombardo bring a very dense rhythm section to the table and match the field recordings of Patton. After listening to this album several times, though, I still can’t help but wonder what it must be like to be inside Mike Patton’s disturbed head. Is he a man of genius or a man of trouble? Delirium Cordia shows that he is both.



Edited by Sheepish (11/06/07 12:33 AM)


Extras: Filter Print Post Top
Offlinefalkor187
Stranger
 User Gallery


Registered: 05/15/07
Posts: 271
Last seen: 15 years, 9 months
Re: Avant-Garde Metal [Re: Sheepish]
    #7597932 - 11/05/07 10:21 AM (16 years, 2 months ago)

you fucker...you beat me to Genghis Tron...some intense shit to listen to tripping i would imagine..


Extras: Filter Print Post Top
Offline5150
phantom
 User Gallery
Registered: 09/01/06
Posts: 5,437
Last seen: 4 years, 2 months
Re: Avant-Garde Metal [Re: Sheepish]
    #7598047 - 11/05/07 11:09 AM (16 years, 2 months ago)

what bitrate r u encoding these at? the files seem a bit large
look into Ogg Vorbis if u get the chance, it sounds great
http://www.vorbis.com/faq/#lossy


--------------------
"the way of the warrior is the resolute acceptance of death"

Miyamoto Musashi


Extras: Filter Print Post Top
InvisibleMiddlemanM

Registered: 07/11/99
Posts: 8,399
Re: Avant-Garde Metal [Re: 5150]
    #7598565 - 11/05/07 01:39 PM (16 years, 2 months ago)

They all seem 200+Kbps, which is great, anything under 192 is junk especially with metal.

They seem to DL quick enough...

I don't like .ogg cause they don't import into iTunes.


Extras: Filter Print Post Top
OfflineSheepish
 User Gallery


Registered: 04/02/02
Posts: 10,137
Loc: Exile
Last seen: 5 years, 9 months
Re: Avant-Garde Metal [Re: 5150]
    #7600691 - 11/05/07 10:14 PM (16 years, 2 months ago)

Files are VBR. That means when there's heaps happening, then the bit rate will increase. When it's quieter, the bit rate decreases.
I can't be bothered recompressing everything into a new format; I have at least 400 cds and thousands of mp3s. There's no way I'm reripping 400 cds.

Another one for today:

http://www.sendspace.com/file/czywg1
Growing - 2003 - The Sky's Run Into the Sea

Growing is a drone music/ambient music band from Olympia, Washington, which was formed by Kevin Doria (electric bass guitar), Joe Denardo (electric guitar), and Zack Carlson (who left the band following the release of their first album) in 2001. They play slow, instrumental rock with elements of noise and ambient music.

(I'll make an effort to include a description of the bands/albums in the future)


Extras: Filter Print Post Top
Offlinefalkor187
Stranger
 User Gallery


Registered: 05/15/07
Posts: 271
Last seen: 15 years, 9 months
Re: Avant-Garde Metal [Re: Sheepish]
    #7601130 - 11/06/07 12:14 AM (16 years, 2 months ago)

ok...im working on getting all my .rar organized, and ima put them up in sub-genres, kinda help filter out whats post metal, whats post instrumental rock, whats metal core, etc..

i would think by tomorrow ill have most of the albums i want zipped ready to upload, and as of now, im still using send space for its 300mb upload capacity.


Extras: Filter Print Post Top
OfflineSheepish
 User Gallery


Registered: 04/02/02
Posts: 10,137
Loc: Exile
Last seen: 5 years, 9 months
Re: Avant-Garde Metal [Re: falkor187]
    #7601164 - 11/06/07 12:36 AM (16 years, 2 months ago)

Good idea. I've got a line up of some albums I've already .rar'ed. After I'm done, there are some more to do then I'll post some more of whichever people liked the most.
So everyone, let me know what you'd like to hear more of. I will upload them once I've uploaded all the varieties.
I have gone back through my posts and added reviews of the album or artist to give you guys an idea of what the album consists of. I will be doing this in the future so you don't have to wonder what I'm springing on you.


Extras: Filter Print Post Top
Offlinefalkor187
Stranger
 User Gallery


Registered: 05/15/07
Posts: 271
Last seen: 15 years, 9 months
Re: Avant-Garde Metal [Re: Sheepish]
    #7601284 - 11/06/07 02:04 AM (16 years, 2 months ago)

Quote:

Sheepish said:
Good idea. I've got a line up of some albums I've already .rar'ed. After I'm done, there are some more to do then I'll post some more of whichever people liked the most.
So everyone, let me know what you'd like to hear more of. I will upload them once I've uploaded all the varieties.
I have gone back through my posts and added reviews of the album or artist to give you guys an idea of what the album consists of. I will be doing this in the future so you don't have to wonder what I'm springing on you.







http://www.metal-archives.com/index.php

that is a great sight for obscure metal bands.


Extras: Filter Print Post Top
InvisibleBridgeburner
Not spiritual at all.
Male


Folding@home Statistics
Registered: 09/16/06
Posts: 20,010
Re: Avant-Garde Metal [Re: falkor187]
    #7601428 - 11/06/07 05:33 AM (16 years, 2 months ago)

hey i know it's a longshot but can anyone share the soundtracks from the Monkey Island series?


--------------------


Extras: Filter Print Post Top
Offlinebeneath
One Way Street
Male User Gallery

Registered: 10/30/07
Posts: 1,239
Loc: The un-united kingdom
Last seen: 11 years, 7 months
Re: Avant-Garde Metal [Re: falkor187]
    #7601472 - 11/06/07 06:25 AM (16 years, 2 months ago)

cool, thanks, can't wait to hear some new stuff!


Extras: Filter Print Post Top
OfflineSheepish
 User Gallery


Registered: 04/02/02
Posts: 10,137
Loc: Exile
Last seen: 5 years, 9 months
Re: Avant-Garde Metal [Re: beneath]
    #7602075 - 11/06/07 11:02 AM (16 years, 2 months ago)

http://www.sendspace.com/file/a1dypa
Halo - 2003 - Body of Light

Halo are extreme. And unlike many other bands, they are aware and proud of it, which you will notice immediately when you check out their website where they publish good reviews as well as bad ones. This is the second Halo CD I have the honour to listen to, and you can't claim that it's easy listening. Halo are just two guys, and the fact that Body Of Light has been recorded live should already give you an idea of the minimalism presented here. The two Australians S.Klein and R.Allen play drums, bass and a wall of noise (no guitars, if I understood and heard correctly), and they do that in such a distorted way that you feel like standing in the middle of a steel manufacturing factory. The bass guitar is amped up to the max, the drums have a surprisingly organic sound to it, which prevents them from sounding as clinically cold as many of their industrial contemporaries, and the speed of the music is always very slow, like swimming in a lake of molasses. All of that is topped with the most painful vocals you can imagine.

Nowadays of course, when we're talking about industrial music, most people think naturally of Ministry and Nine Inch Nails, but if that is so, we better consider this to be post-industrial apocalyptic armageddon noise. Halo are experimental, but there is always the structure of a song hidden beneath their depressive noisescapes. It's hard to compare them to any other band, but let's give it a try: early Godflesh on downers, the sublime Japanese experimental band Boris, or dipping your head in flowing lava. I don't feel like rating this album. It's a difficult listen, it depresses me, and I doubt that I will come back to it often, but then I also recognize that this is some kind of art, by a band that relies on real instruments instead of computers, who record an album live instead of spending weeks in expensive studios. If you are in for the extreme, you should check halo out, but if music is associated with a sense of rhythm for you, then you know that this is where you have to skip.

http://www.sendspace.com/file/7i7282
In The Woods... - 1995 - Heart Of The Ages

Easily one of the more far-reaching bands to ever be associated with black metal, the eclectic In the Woods is truly one of the more innovative and unique metal bands in existence. Often evoking a love it or hate it reaction with little in-between ground, In the Woods certainly have carved their own individual path. Their debut full length, HEart of the Ages, is no exception. Featuring a blend of mid-paced, slightly epic feeling metal and a mix of cleanly sung dramatic vocals and some very harsh black metal screaming, HEart of the Ages is a lengthy piece of work that takes quite a bit of time to grasp. In my mind, there is little here not to like for fans of extreme as well as intelligent music. The band's ability to compose in slower, moody sections as well as the more blistering parts without endangering the song is remarkable. Secondly, the fact that the clean vocals are actually quite strong and powerful show talent beyond the masses of black metal bands who warble off key in mock gregorian chants. Finally, the album overall induces a somewhat contemplative mood, as it should, considering the depth of the music. In the Woods is certainly seeing the forest for the trees in HEart of the Ages.

http://www.sendspace.com/file/fw72xv
Lightning Bolt - 2005 - Hypermagic Mountain

The myth of Lightning Bolt hangs on its devastating, shamanistic live act. Concertgoers encircle the band, in ritual awe, like a crowded halo of asteroids orbiting a binary star: a bassist butchering his rig like a pink-slipped surgeon, and a drummer grinding his ragtag kit into cinders, while belting yawp after yawp through a tattered pillowcase luchador mask into his “throat mike,” a jury-rigged phone receiver run through a pre-amp. The experience, religious to every ticket-holder, outruns language.

The problem of Lightning Bolt, by extension, is recapturing this unhinged tumult in the studio, readied for your iPod’s earbuds and your mom’s car stereo, without losing the myth in translation. Luckily, with each new release, the band has tapered the gap between the live act and the studio artifact. Culling 57 minutes of Dionysian fury from three weeks—and two tracks—of Apollonian sweat, Lightning Bolt rushes forward on Hypermagic Mountain, their fourth full-length, in another stride toward the perfection of their prog-noise esthetic.

Rewind to 2003, year eight of the Rhode Island dialectic—Brian Chippendale’s jackhammer drumming braided into Brian Gibson’s whitewater bass—when Wonderful Rainbow cemented the Ruins and Boredoms comparisons, when the band rocketed into the higher echelons of the indie hierarchy, when noise began to slowly invade the once signal-heavy hipster cosmology. The more mature Hypermagic Mountain manages to one-up its junior, coupling an across-the-board tightness with better mixing. Where the vocals worked before as accomplices in abstraction, they’re now turned up, and clearer, thanks to the band’s new setup. The drums and bass, in the egalitarian polish of Dave Auchenbach’s knob-twiddling, are now equally prominent in the mix. The production’s richer than ever, with the once-submarine low end reigning alongside the mids and highs.

Gibson’s bass lines gallop from the get-go, chased by Chippendale’s percussion stampede, promising on the first track, “2 Morro Morro Land,” that Hypermagic Mountain will loom monolithically, maybe taller than Wonderful Rainbow. The opener’s raucous verve is overshadowed by the threatening storm of the next track, “Captain Caveman.” Here Chippendale, on cue, takes center stage, almost crooning over the stop-start convulsions, proggy fits of ricochet chord progressions, cribbed St. Anger riffs, and Gatling bass-drum pummeling.

Then the Brians flirt with the spectral. Recovering from a string of false starts, “Riffwraith” parades the duo’s talent for dense rhythms, smartly punctuating the riffs with Chippendale’s downcast squawks. “Megaghost” blasts past waves of mock-thunder and delayed baying into a labyrinth of warp-speed, rococo virtuosity. “Bizarro Bike” treads the same water as “Megaghost”—a nervous, eerie mixture of vocal delays and machine-gun drumming, a prog poltergeist haunting the higher register.

The latter half of the album flaunts the outsize scale of the prog-noise esthetic. Not surprisingly, “Magic Mountain”—doing triple work as a Bildungsroman, theme park, and quasi-title track—is an epic exercise in ascent, a cloud-puncturing sierra of tension leveled by Gibson’s four-string enfilade. When the band slows down to gather the rosebuds, they churn out masterpieces. The longest songs, “Dead Cowboy” and “Mohawkwindmill” are among the album’s most intense. The former asks a question: how would the Boredoms maneuver a broadside against George W.? The Brians answer: drums at ramming-speed cadence, major-chord cannon fire, hooks piercing the choppy sludge. The latter drifts the same seas, pitching in the magma, only motored through by Chippendale’s Hella-esque fury. We hear in these songs a roll call of the esthetic’s hallmarks: the boundless zigzagging marches into the inferno; the volcanic, fatalistic climaxes; the minimalist glue, with lonely phrases pounded into submission, the angle of attack shifting almost invisibly; the arabesque prog flourishes; the scrambled, overdriven Krautrock rhythms.

Proving the album’s quality, even its lesser tracks stand above other band’s best work. For instance, “Infinity Farm” feels like Brian Eno soundtracking a trip to the pound. And Gibson quotes Bad Brains on the doggedly rhythmic “Birdy.” Hardly weak, and as if to leave its thirsty audiences only half-sated—the improv album, Frenzy, is due out next year—“No Rest for the Obsessed” abruptly closes the album halfway into a more-metal-than-thou crescendo, abandoning us waist-deep in sludge. It’s salt in the wound, to be sure, but all Lightning Bolt fans are avowed masochists.

The album sweeps away lingering doubts that Lightning Bolt is a highbrow gimmick, a hipster Frankenstein stitched together by alt-weeklies. The Brians have found a unique voice that’s wholly theirs and, with fine-tuning behind the scenes, they can only hone it. The compressed, cleaned-up ferocity of Hypermagic Mountain is a leap of refinement in every way, a sign that the band, while lushly unripe, is ripening gracefully.


Extras: Filter Print Post Top
Offlinefalkor187
Stranger
 User Gallery


Registered: 05/15/07
Posts: 271
Last seen: 15 years, 9 months
Re: Avant-Garde Metal [Re: Sheepish]
    #7603901 - 11/06/07 06:01 PM (16 years, 2 months ago)

ok, in trying to think of a faster way of posting all my music up here, i think ima make a torrent...post it on demonoid, and have it here for download, as of now i have 2 gigs of music zipped, thats just too much time through sendspace...

so hopefully you all have utorrent or something..


Extras: Filter Print Post Top
Invisiblemaggotz


Registered: 06/24/06
Posts: 7,539
Re: Avant-Garde Metal [Re: falkor187]
    #7603948 - 11/06/07 06:14 PM (16 years, 2 months ago)

maybe you could setup an ftp.


Extras: Filter Print Post Top
InvisibleClean
the lense
Male User Gallery

Registered: 05/11/03
Posts: 2,374
Re: Avant-Garde Metal [Re: Sheepish]
    #7603970 - 11/06/07 06:17 PM (16 years, 2 months ago)

i'd love some more Growing and Colour Haze if you have any


Extras: Filter Print Post Top
Invisiblemaggotz


Registered: 06/24/06
Posts: 7,539
Re: Avant-Garde Metal [Re: Clean]
    #7603983 - 11/06/07 06:19 PM (16 years, 2 months ago)

colour haze was awesome.


Extras: Filter Print Post Top
Offlinefalkor187
Stranger
 User Gallery


Registered: 05/15/07
Posts: 271
Last seen: 15 years, 9 months
Re: Avant-Garde Metal [Re: PhanTomCat]
    #7603989 - 11/06/07 06:20 PM (16 years, 2 months ago)

Quote:

PhanTomCat said:
Quote:

Middleman said:
The Melvins and Lustmord attached.




That's not too bad, sort of sounds like a mix between Corrosion of Conformity(vocals) and Meshuggah(sound and off-beat time sigs)....  :thumbup:

I gave a listen to ISIS and Pelican....  I couldn't get into either one of them....
I guess I am just more drawn to the intricate melodies and the multiple riff arrangements of progressive metal....

It's all good, it's music....!  :grin:


>^;;^<






WHOA...

i think pelican has osme of the most intricate melodies in the post-rock genre today...maybe alil too intricate for you??

and isis' melodies are drawn out and shoegazed out.

but to say:
"I guess I am just more drawn to the intricate melodies and the multiple riff arrangements of progressive metal"

AND

"I gave a listen to ISIS and Pelican....  I couldn't get into either one of them.."

in the same breathe baffles me..

listen to the pelicans albums about 50 more times...maybe youll start to hear their intricate melodies, cus it is there.
and isis' multiple riff arrangements is top notch...so i have no clue where you are comig from with that type of statement..


Extras: Filter Print Post Top
InvisibleMiddlemanM

Registered: 07/11/99
Posts: 8,399
Re: Avant-Garde Metal [Re: Clean]
    #7604194 - 11/06/07 07:21 PM (16 years, 2 months ago)

Quote:

Clean said:

i'd love some more Growing and Colour Haze if you have any




Extras: Filter Print Post Top
Offlinefalkor187
Stranger
 User Gallery


Registered: 05/15/07
Posts: 271
Last seen: 15 years, 9 months
Re: Avant-Garde Metal [Re: Middleman]
    #7605079 - 11/06/07 10:25 PM (16 years, 2 months ago)

those werent my uploads..

im thinking of maybe just posting ALLL my albums on send space...just people need to download them right away, then worry if they like it or not later..


Extras: Filter Print Post Top
Jump to top Pages: < Back | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | Next > | Last >

Shop: Unfolding Nature Unfolding Nature: Being in the Implicate Order   North Spore North Spore Mushroom Grow Kits & Cultivation Supplies   Kraken Kratom Red Vein Kratom   PhytoExtractum Buy Bali Kratom Powder


Similar ThreadsPosterViewsRepliesLast post
* Avant Garde/Noise/Ambience anyone???
( 1 2 all )
reconciliation 3,309 33 11/27/07 05:28 AM
by falkor187
* -= Shroomery Metal Guide =-
( 1 2 3 4 ... 10 11 all )
ShroomismM 35,572 203 03/29/15 06:25 PM
by akira_akuma
* Shroomism's Metal Guide (obsolete - see new thread)
( 1 2 3 4 all )
ShroomismM 12,123 71 01/15/05 12:58 AM
by ryou
* New Opeth Album Penguarky Tunguin 1,122 16 10/12/05 04:50 AM
by DirtMcgirt
* Favorite Opeth Album? ShroomismM 1,062 17 02/09/06 08:13 PM
by WeAreAllOne
* the album thread
( 1 2 3 4 5 6 7 8 all )
Bridgeburner 69,567 156 09/23/10 04:10 PM
by Idiot
* The Indie Album Thread
( 1 2 3 4 ... 64 65 )
TrippinTeddy 173,679 1,280 11/20/11 12:37 PM
by froess
* Album(s) that changed your life
( 1 2 3 4 5 all )
silversoul7 14,275 84 12/09/08 03:57 PM
by Grav

Extra information
You cannot start new topics / You cannot reply to topics
HTML is disabled / BBCode is enabled
Moderator: Middleman, automan, DividedQuantum
60,453 topic views. 0 members, 1 guests and 0 web crawlers are browsing this forum.
[ Show Images Only | Sort by Score | Print Topic ]
Search this thread:

Copyright 1997-2024 Mind Media. Some rights reserved.

Generated in 0.029 seconds spending 0.008 seconds on 15 queries.