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TEHRAN, Iran - The hit American movie “300” has angered Iranians who say the Greeks-vs-Persians action flick insults their ancient culture and provokes animosity against Iran.

“Hollywood declares war on Iranians,” blared a headline in Tuesday’s edition of the independent Ayende-No newspaper.

The movie, which raked in $70 million in its opening weekend, is based on a comic-book fantasy version of the battle of Thermopylae in 480 B.C., in which a force of 300 Spartans held off a massive Persian army at a mountain pass in Greece for three days.

Even some American reviewers noted the political overtones of the West-against-Iran story line — and the way Persians are depicted as decadent, sexually flamboyant and evil in contrast to the noble Greeks.

In Iran, the movie hasn’t opened and probably never will, given the government’s restrictions on Western films, though one paper said bootleg DVDs were already available.

Still, it touched a sensitive nerve. Javad Shamghadri, cultural adviser to Iranian President Mahmoud Ahmadinejad, said the United States tries to “humiliate” Iran in order to reverse historical reality and “compensate for its wrongdoings in order to provoke American soldiers and warmongers” against Iran.

The movie comes at a time of increased tensions between the United States and Iran over the Persian nation’s nuclear program and the Iraq war.

But aside from politics, the film was seen as an attack on Persian history, a source of pride for Iranians across the political spectrum, including critics of the current Islamic regime.

State-run television has run several commentaries the past two days calling the film insulting and has brought on Iranian film directors to point out its historical inaccuracies.

“The film depicts Iranians as demons, without culture, feeling or humanity, who think of nothing except attacking other nations and killing people,” Ayende-No said in its article Tuesday.

“It is a new effort to slander the Iranian people and civilization before world public opinion at a time of increasing American threats against Iran,” it said.

Iran’s biggest circulation newspaper, Hamshahri, said “300” is “serving the policy of the U.S. leadership” and predicted it will “prompt a wave of protest in the world. ... Iranians living in the U.S. and Europe will not be indifferent about this obvious insult.”

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In the past the federal government has used influence over Hollywood to control the content of the movies and television shows that they produce. This could probably be referenced if I felt so inclined at the moment, its a pretty solid statement.

Doesn't this seem to be just more of the same? The government knows that Iran is closely watching America's actions in order to find justifications for escalation, and I think this is our way of giving some of it to them.

I mean, we are still dealing with George W. Bush and Dick Cheney, after all. The Democrats did just demonstrate how weak of a party they are by bowing out on the push to limit Bush's activities in regards to Iran. Are they reserving their strength and biding their time until the presidential elections, so that perhaps they can gain more congressional control and an Executive branch? Maybe they are just weak.

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'300' Flick Is Ready-Made for the Right-Wing Crowd
By Steve Burgess, The Tyee
Posted on March 10, 2007, Printed on March 13, 2007


What's your favourite movie?

Someday soon, you may ask a new acquaintance that question, and just maybe -- because it takes all kinds -- your new friend will reply, "My favourite movie is 300."

If this happens, back away slowly. Your new friend probably kills cats for fun. Worse -- your new friend may be George W. Bush. Director Zack Snyder's new dramatization of the epic Spartan stand at Thermopylae will probably go down real well at the White House, and wherever disturbed young people massacre hundreds in violent video games. Others should exercise discretion.

This is a historical epic, but its real history is not so much ancient Greek as recent comic book. 300 is another film taken from the work of graphic novel auteur Frank Miller, following very much in the CGI tradition of last year's Miller-inspired Sin City. Nothing in 300 is natural -- not a ray of honest sunlight falls on a single frame of the movie. Like Sin City and the execrable Sky Captain and the World of Tomorrow, 300 was filmed entirely in front of blue screens and subsequently built around the actors digitally.

Pretty dumb

It's certainly better than Sky Captain, visually at least. 300 has an undeniable beauty, a burnished look intended to evoke the mythic. Think of the dream scenes in Gladiator and imagine a whole movie of that. Don't imagine much else, because you'll be disappointed.

Someday, somebody is going to make one of these comic book movies that isn't quite so depressingly comic book. Not this time. 300 is an adolescent wet dream to its very core, a homoerotic paean to half-naked Greeks and their bloody, thrusting swords. And to make all the Chippendales-style posing more palatable for the young straight male target audience, there's a little bit of rough doggie-style hetero sex too.

The plot -- don't blink now -- is this: 300 brave Spartans, led by the heroic Leonidas (Gerard Butler), guard a pass against the Persian hordes commanded by King Xerxes (Rodrigo Santoro). There's a small bit of politics thrown in, and the aforementioned boinking (featuring Lena Headey as Queen Gorgo). But it's mostly just the glorious, sexual thrill of slow-motion violence and orgasmic geysers of spurting blood. Really. Such unabashed tributes to slaughter are usually delivered with a wink in slasher films, but 300 does not know how to wink. It is deadly serious in the way that so often provokes giggles.

Certain parallels

There's virtually no development of the Persian side, almost no real sense of who they are and why they are so scary -- except that there's a whole lot of them, and their leader Xerxes is seven feet tall, like Darth Vader and with pretty much the same voice. When it finally arrives, the big sacrificial climax doesn't even make a lot of sense. It's just heroic.

Regardless, 300 will likely be a masturbatory experience for the Ann Coulter crowd. Cruel, militaristic Sparta is the ideal; weak, artsy Athens is mocked, particularly in a scene where Athenian soldiers are revealed to be potters, sculptors, poets. Brave men who leave what they love to defend their country? Bah! Weaklings, according to this flick. As a tribute to a particular world view, 300 could play on a double bill with Leni Riefenstahl's Triumph of the Will.

And no doubt it will be screened at 1600 Pennsylvania Avenue. President Bush will certainly relish a film in which King Leonidas tries, and fails, to get authorization from Sparta's governing council for an attack against the forces of Persia, a.k.a. modern-day Iran. Leonidas goes ahead anyway. History calls him a hero. So much for congressional funding.

There's even evidence that the film consciously grasps at this clash-of-civilizations message. "Today we will rid the world of mysticism and tyranny," shouts a Greek soldier, leading a charge against the Persians moments after we have seen an image of dead Spartans in Christ-like poses.

Most of the bloodthirsty teens in the audience won't care about that stuff, of course. But Dick Cheney will cream himself. I guess Dick can use a little diversion. He's had a rough year.

© 2007 Independent Media Institute. All rights reserved.

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Iranians outraged over hit movie ‘300’

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MushmanTheManic said:

300 encourages systematic pederasty.

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meams said:

i didnt know persia = iran

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Its a pretty important part of human history...

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The hit American movie “300” has angered Iranians who say the Greeks-vs-Persians action flick insults their ancient culture and provokes animosity against Iran.

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Baby_Hitler said:

Most americans prolly don't even know persia = iran

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300 is an adolescent wet dream to its very core, a homoerotic paean to half-naked Greeks and their bloody, thrusting swords.

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