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If there were ever a movement for an indie farm system, somewhere to designate those young, raw bands needing more time in the oven, Tokyo Police Club would be the poster children. This blogger-approved Toronto quartet has the potential to become a real five-tool player in indie for a long time; Pretty Girls Make Graves' agility, Les Savy Fav's curveball, the Strokes' sweet swing-- there's no questioning the latent talent here.
out of curiosity, you wouldn't happen to be a regular reader of no-datta.blogspot.com, would you? because that was my primary music blog for full albums, and now they've made it private and i don't know how to get an invite. i'm saddened and confused.
dude, i'm only two songs in on this chris & mollie, but i'm rather digging it. reminds me a bit of the unicorns with a touch of influence from some of the late 80s stuff i posted.
speaking of incredibly fun stuff, have you heard the newest self-titled jim noir? i don't think it's officially leaked for another few days, but it leaked a week or so back. way, way fun. here's possibly the funnest song i've heard this entire year.
The Black Keys seemed doomed to linger in the long, black-and-red shadow of the White Stripes. That's perhaps unfair: Akron's Dan Auerbach and Patrick Carney have perfected their own brand of Delta-tinged, garage minimalism. But after four albums, even they seemed to realize they had hit a creative wall. Luckily, in 2007, they were tapped by producer Danger Mouse for a collaboration with Ike Turner, though when he passed away last December, the project left the duo with a host of material. This became the foundation of their fifth and most adventurous album to date. Maneuvering between the King of Rhythm's joie de vivre and their crestfallen, crossroads-blues heritage, Attack and Release subtly expands the Black Keys sound.